couldn’t discover an easy way to encapsulate the film in his head. Yet he really liked it.’


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Your favourite childhood movie might’ve to be a total box-office dud. The animated movies that identified the so late ‘90s and also early 2000s space beloved by a generation that flourished up watching lock on VHS, but many of these nostalgic favorites were critical failures, box-office disappointments, or both. What walk wrong along the way? and also why did they obtain such love after the fact? The Beloved man Failures series is the end to dust turn off those old VHS tapes (or, much more accurately, uncover the movies on streaming) and also examine some of these films.

In the so late 1990s, Walt Disney computer animation saw a variety of increasingly expensive jobs stumble v increasingly reduced returns. For this reason after the six-year-long manufacturing of Mulan, animator kris Sanders moved for the studio come diversify the border of the movies.

“Each film we created was more facility and an ext expensive than the film before it,” Sanders speak benidormclubdeportivo.org. “One that the points I started to advocate was a return to a smaller sized film. That’s what Lilo & Stitch was. We would certainly pay because that our story flexibility by regulating our budget.”

Lilo & Stitch, arguably one of the kookiest and also off-kilter movie to come out of the it s too dirty time period, showed to it is in the unexpected success Sanders was hoping because that — and also not just in that theatrical release. The movie spawned three direct-to-video sequels, a successful television series, and also multiple theme park attractions. Currently Disney’s eying a live-action remake v In the Heights director Jon Chu. Stitch, versus all odds, is tho everywhere.

In the final installment of Beloved animated Failures, us take a look at at exactly how a movie around a family threatening to splinter apart since of social services, and an alien fugitive crash-landing in Hawaii, managed to become one that Disney’s few enduring modern-day hits. Similar animated tentpoles favor Treasure Planet, Atlantis: The lost Empire, and The Emperor’s brand-new Groove to be charming, yet dead on arrival; Lilo & Stitch went ~ above to be as popular as the movies born from the Disney Renaissance. The success had a little to do with the cute aliens, a little much more to do with the clever marketing campaign, and a lot to execute with the liberty the filmmakers had actually to make things the means they wanted to while operating within the Disney machine.


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Image: Disney
Release date: June 21, 2002 

Director: chris Sanders, Dean DeBlois 

Production budget:$80 million

Worldwide box office: $273.1 million

Rotten tomato score: 86%


Lilo & Stitch opens with a dangerous and also violent alien fugitive (Chris Sanders) crash-landing on Hawaii. A tiny girl named Lilo (Daveigh Chase), who feels favor an outsider to she peers, adopts the alien and names that Stitch.

In an initiative to evade his captors, Stitch decides to mix in and also pretend to it is in Lilo’s pet. Meanwhile, Lilo and also her enlarge sister Nani (Tia Carrere) face the opportunity of gift separated by society services. In the end, both the the misfits find a place with each other and rebuild the bond of a broken family.

A tiny backstory…

Sanders began emerging Lilo & Stitch as a solo project, based upon an original story from a children’s book that he had actually written years before. Once Thomas Schumacher, climate head the Walt Disney feature Animation, asked the if there was a project that he wanted to occupational on, Sanders dusted off the old concept, which featured a strange creature enduring in the center of the woods among animals. He had actually abandoned the story since the limit was just too huge to fit into a children book, yet brought it come Schumacher end dinner at Walt Disney world Swan hotel. Schumacher loved the idea, but gave Sanders one certain note that ultimately shaped the whole story.

“Animals are, in a sense, a little bit alien to united state anyway,” Schumacher told Sanders over sushi. “To acquire the best and also biggest contrast, I would certainly suggest setup this in the person world.”


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Image: Disney
Sanders eventually recruited co-director and co-writer in Dean DeBlois to assist in translating the story to screen. DeBlois and Sanders an initial met and also hit it turn off on Mulan, wherein the two operated in the story room — DeBlois to be co-head that story, while Sanders to be screenplay and story super — and hit that off. After ~ Mulan wrapped, Sanders started occurring his own movie, when DeBlois jumped come Atlantis: The last Empire. However he feeling unsatisfied.

“I just realized my calling to be to be working through Chris top top something choose <Lilo & Stitch>,” DeBlois says. “And so ns let it it is in known.”

Schumacher placed DeBlois on together co-director of the project, v the intent that a skilled screenwriter would come in to give it a Disney polish. That never ended up happening, and also both DeBlois and Sanders ultimately shared screenwriting credits on Lilo & Stitch. Considering the origins of the story, the probably resolved for the best. There to be a lot to consider.

While Sanders acquiesced to Schumacher’s ide that his film required a human being element, the still want to set the action somewhere isolated. He considered Kansas, yet after glancing at a map and also seeing how remote the Hawaiian archipelago were, he arrived on the the American archipelago. There to be one red flag: Both Sanders and DeBlois had learned from working on Mulan that, as soon as embedding a story in a specific, real location, there to be certain cultural elements that did no belong to them as outsiders, and also which can not openly be used. So after settling on the location, they engaged with as many Hawaiians as they could. They lugged on musician mark Keali’i Ho’omalu to consult top top the hula dancing and choir arrangements, and sought feedback from actresses auditioning for Nani about how the character would realistically behave.

A research trip to Hawaii ended up solidifying the message of the movie and the importance of ohana, or family. And by staying clear of the traveler traps the Hawaii, the Disney team gained a feeling of the idiosyncrasies of everyday life on the island. Struck by the closeness of the community, they walk their ideal to infuse that particular cultural specificity into the movie.

“The person side the the story to be there to try to counterbalance few of the weird sci-fi aspects because it was pretty tongue-in-cheek and also silly, and also yet we want it to feel emotionally true and grounded,” DeBlois says.


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Image: Disney
Though the movie’s fictional Hawaiian setup shaped the themes that Sanders and also DeBlois’ screenplay, the animation procedure would beat as large a part into molding the movie civilization know. Unlike numerous big-budget Disney movies of year past, Lilo and Stitch was developed outside the California-based Walt Disney computer animation Studios at a now-infamous Florida studio situated within Walt Disney World.

Part of the park’s Hollywood Studios (then referred to as MGM Studios), Walt Disney animation Florida was originally designed to be a theme park attraction, through park employee pretending to it is in animators. Producer Max Howard, however, had actually other ideas and found actual animators because that the studio. In ~ first, it started off with short films, then segments of films, until the unit took on making function films of its own. Sanders very first learned around the Florida studio while working on The Lion King, and also the animators in California had a “relatively dim watch of it.” He was hesitant about journeying there to finish portions the the film, including the “I simply Can’t Wait to be King” sequence, however all that adjusted once he began working in Orlando.

“The Florida studio, ns think, was favor the California studio was means back as soon as Walt Disney an initial started it. It was a brand new studio v young talent, anxious come prove themselves. So i love the Florida studio. And when us were asked whether or not we were interested in do Lilo & Stitch in Florida, ns jumped in ~ the chance,” Sanders says.

DeBlois, meanwhile, was much less enthused about the idea of working at a studio trapped inside a design template park.

“You could hear the screams from the Tower the Terror and the rock N’ Roller coaster taking off,” DeBlois says.

Lilo & Stitch was not the first movie made in ~ Hollywood Studios — the honor goes to Mulan — but the remoteness the the Florida studio proved to be a boon because that the little animation team that a much more idiosyncratic project. Sanders believes the intimacy that the studio enabled animators to bond and also bring a stronger household feel to the movie. But most concretely and also directly, the animators attracted inspiration native the gaggles the tourists that passed with the park every day, transforming them into Lilo’s quirky photography subjects. Together clean-up super Phil Boyd told the Orlando Sentinel in 2002, “Every traveler in this movie has passed in prior of those home windows at part time.”

In a rare move for function animation, Lilo & Stitch was completely rendered in Sanders’ an individual illustration style. Schumacher had actually insisted on at the shake-up that the Disney house format at the beginning of production, after ~ looking at Sanders’ pitchbook. Many thanks to visual supervisor Sue Nichols, who completely deconstructed and also analyzed Sanders’ art, the animators replicated it with ease.

“She take it a couple of weeks and produced this book called Surfing the Sanders Style. And no one was much more curious or worried to review this publication than ns was,” states Sanders. “I to be absolutely fascinated.”

Unlike various other animated films at the time, Lilo & Stitch incorporated little CGI, instead employing watercolor methods for backgrounds that hadn’t been provided at the studio since 1941’s Dumbo. Part of the stemmed indigenous the fact that Sanders knew his character designs would certainly not work-related in CGI, especially when it concerned the human being characters. The an option to harken back to the watercolors — done to complement Sanders’ style and also emulate a children storybook feel — elevated some eyebrows, considering the an approach had basically been dead for 60 years. Sanders recalls the California animators snidely remarking prior to production the if the less-experienced Florida animators obtained stuck, the senior animators i will not ~ be may be to help them.

“Once the artists at the Florida studio acquired in their groove through this watercolor style, they were producing paintings more quickly 보다 you could have gouache painting because they would execute a wash on painting one, set it aside, start doing a to wash on number two, collection that aside, then hit a wash on number three. Castle were working on three or 4 paintings in ~ once,” defines Sanders. “So reduced to me earlier at the California studio, the same male approaches me and also says, Hey, so just how are you men doing those backgrounds? i think they to be humbled by what the Florida studio traction off.”

Luckily because that Sandres and also DeBlois, no one in Walt Disney Animation’s Burbank workplaces was really paying fist to what was going on through the film. If they had been, the movie might very well not have happened.

Why it shouldn’t have worked


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Image: Disney
Sanders says, after ~ the very first reel the Lilo & Stitch to be completed, Schumacher had told him straight that, if it to be shaping approximately be a great film, it would be absolutely decimated by studio notes.

“So we’re going come hide it,” Schumacher stated to Sanders. “And we’re no gonna allow the studio check out it. We’re going to hide it till the movie is strong enough to withstand those kind of notes.”

So Schumacher basically put Lilo & Stitch in a “little an enig garage,” and gave the share updates once asked through CEO Michael Eisner and also other Disney executives how it was going. And also that to be that. Updates were limited, and also the creative process rolled along throughout the country.

Embracing old-school 2D techniques that could provoke eyerolls from the California crew was a need of the manufacturing itself; the Lilo & Stitch team didn’t have the spending plan for CGI. Lock didn’t have the budget for a lot of little things, and also had to it is in smart about where the money went. Nani, because that instance, originally had two different shirt designs, but it to be going to be too expensive to render the 2nd one.

“We couldn’t afford things favor shadows, or details. A basic detail, prefer a earlier pocket top top a pair the jean shorts, or a logo on a T-shirt had actually to be eliminated just since it take it so much much longer to draw them. And also we couldn’t afford shadows,” DeBlois says. “So you’ll an alert so much of Lilo & Stitch takes place in the shade of the trees and also the bushes and also whatnot. We conserved for those unique moments whereby we essential them.”


There go come a moment late in production, however, the strained the budget and also schedule: a scene entailing the extraterrestrial hijacking that a 747. Originally, Stitch was claimed to commandeer a plane through a city. The scene to be intended to be super cartoonish, v the jet bouncing off buildings. Climate the September 11 assaults happened. Sanders recalls relocating through the work in a blur, dazed and also shocked by the attacks. Then later on on, the comparison dawned on him.

“It was done. It was finished,” claims Sanders. “And mine heart just sank.”

Sanders ended up calling Schumacher, and then eventually Roy Disney himself, to comment on what to do about the scene. They chose that they had to readjust it — with just a couple of weeks left in production. It to be DeBlois who came up v the solution: instead of steal a plane, Stitch would certainly steal the ship the Jumba and Pleakley came down on the island with. Thankfully, the airplane and the spaceships were several of the couple of digital elements of the film and the 747 was easily remodeled right into a various shape.

“It’s one of the factors that the spaceship has very 747 looking engines top top it,” Sanders says.

The team was so aware of the chop budget, though, that also after reanimating the follow sequence they had sufficient money for about two more minutes that footage. That’s whereby the small epilogue montage at the end of the movie comes in, i beg your pardon addresses how Lilo and also Nani have been adjusting come life through their new alien family. (Nani’s second t-shirt design appears in the laundry during that montage, a cute small bonus Easter Egg).

“I can’t imagine the film without the now,” states Sanders. “Like you get to check out what your life was, due to the fact that Stitch arrived, damaged their lives, tore things apart, but then reassembled it much more strongly.”

Michael Eisner ultimately saw the finished version of Lilo & Stitch, the course, and he approved. After ~ Eisner lastly saw the film, he want to sit down through Sanders.

“We went over there, and Michael was like, ‘I prefer this film. It’s yes, really different. I can’t explain it … I as with it. That weird. However weird in a great way,’” Sanders recalls. “So there it was: the couldn’t discover an easy method to encapsulate the film in his head. But he really preferred it.”

But marketing it to an audience to be a big unknown. Lilo & Stitch is one oddity reflective of its two main characters. Also though it’s an extraterrestrial adventure, it takes ar on a tiny island in Hawaii, and also the wacky room hijinks room juxtaposed v a poignant family plot around two sisters who could get be separated by social services. The film deals with grief, of being an outsider, the finding family members in the many unexpected places and also mending present relationships. And Elvis is a huge plot point and one of the aliens believes the the planet is under protection since mosquitos space an threatened species, since a CIA agent, that is currently a social worker, lied come him. Arriving shortly before Disney’s big blockbuster that 2002, Treasure Island, one might imagine Lilo & Stitch landing on a dusty VHS shelf as an man cult film. However it didn’t.

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Why that did work


Unlike few of the other Disney entries in ours Beloved animated Failures collection — which were big, high-quality passion projects — Lilo & Stitch was especially designed to it is in a tiny film, which means it did not have actually the burden of earning earlier a enormous budget. Still, even if the didn’t do Lion King money, that did do $273.1 million in ~ the global box office, much more than 3 times that budget.

Lilo & Stitch is really weird, yet it is very weird in a really cute and also therefore approachable way. To this day, Stitch is one of the bestselling Disney characters and also his face is plastered throughout merchandise and theme park attractions. No one is more surprised than Sanders and DeBlois to watch Stitch among classic Disney characters like Mickey, Minnie, and Winnie the Pooh; if doing the press tour for How to Train your Dragon, DeBlois was exceptionally astonished to discover out the Disney’s Stitch Day, June 26, is a large deal in Japan.

“We would certainly see tiny figurines of that in every train station we would certainly go to — married with everything that town is well known for,” DeBlois says. “If the was well known for eco-friendly tea ice cream cream, it would certainly be Stitch licking a environment-friendly tea ice cream cone or if that was renowned for mountain Fuji, it to be Stitch on mount Fuji.”


Funnily enough, it to be Stitch’s quirkiness that finished up motivating the movie’s specifically brilliant marketing campaign.

“When we experienced the an initial trailer, it made ours hearts sink a little bit, since it was exactly what we had feared. It felt very juvenile, and also simplistic. It to be all about how you always remember her very very first friend,” says DeBlois. “It felt so saccharine and sweet to us that we pushed back on it.”

Sanders and DeBlois schemed something of your own. They will do talked around how funny Stitch looked contrasted to the lineup the heroic Disney characters, and also basically determined to riff ~ above that: what if Stitch to be crash landing into standard Disney moments? What if when Belle dances through the Beast, Stitch hijacks the chandelier? What if as soon as Aladdin and also Jasmine fly on the magic carpet, Stitch cruises in top top a spaceship and steals Jasmine away?

The marketing executives loved it, and as it transforms out, the tactic appealed to Disney’s main point audience and much more mainstream audience sensibilities. (Even if several of the returning voice gibbs weren’t too thrilled, recounts Sanders).


Previous entries in this column disputed the transition in Western animation from heroic stories to a much more cynical and also humor-focused direction, no many thanks in component to just how Shrek completely dismantled expectations because that animated movies. When Treasure Planet and Atlantis: The shed Empire still promised big, grand, and earnest adventures, Lilo & Stitch’s marketing deliberately demolished that from the get-go.

But the beauty is that Lilo & Stitch no a crude oil or typical movie. It actually has actually an extremely heartfelt message of discovered family and belonging, one that never ever feels overly cloying and also is well balanced with science-fiction action, realistic relationships, and natural character growth. Stitch was designed to be a knavish character, who goes ~ above a trip of redemption. The idea to be sparked while working on Mulan, wherein Sanders thought it was quite funny the they had actually such lengthy discussions on exactly how to kill the bad guy.

“I also said the end loud, ‘Isn’t the funny? how much time we spend talking about how we’re going to kill a personality in these films.’ It’s sort of ubiquitous,” that says. “And i felt like, well, what if us didn’t death one? What if we redeemed one instead? and also so that is just one of the factors that Stitch is utterly unique. One of the reasons for his staying power is that he is the villain of the film.”


Lilo & Stitch is distinctive in mainstream west animation, both in art style and story. The cuteness — and also marketability of Stitch — assisted the movie acquire traction for new audiences, but how the handles heavier themes and culture became component of that legacy. Older youngsters and teenagers could relate to Nani, vice versa, younger children identified with Lilo and also Stitch, and adults might appreciate a well-crafted story with sufficient laughs. Possibly they came for the cute aliens, yet they stayed due to the fact that the story resonated.

Lilo & Stitch is no a Beloved man Failure, however a Beloved man Success the defied every odds in a weird time because that animation. As for the upcoming live-action work again, please again in the works, both Sanders and DeBlois know why that happening, considering how famous the movie tho is, however they’re a small skeptical on just how it’s walk to it is in done.

Lion King to be an exciting thing, since they didn’t shot to reinvent it. Almost a shot-for-shot remake. We functioned so hard in the film. The film to be perfect. I think the was exactly the film that it was claimed to be,” states Sanders. “So in some ways, you are happy that they did this shot-for-shot remake because it wasn’t the not correct film. Top top the other hand, as soon as it’s a shot for shot work again, please again ... It’s weird. The weird once you see it celebrated when it was all resolved ahead of time.”